Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

Tuesday, 9 April 2013

Early 'Conceptuals' for The Last King of Shambhala Prequel Comic

As I continue to work on my yet-to-be-named comic book prequel to my novel, The Last King of Shambhala, I thought I'd share some of that work with you.  Below is the very-early-day 'conceptuals' for Aleksandra who will be the main character of the comic.  

At this stage I'd love to hear from my readers, i.e. the best and most beautiful people on the planet.  If you have any ideas or thoughts based on the below, please email me at: 

danielgrantnewton @ gmail .com





Saturday, 6 October 2012

Chpt. 10 of my free Sci-Fi Fantasy Story - Don't Shoot the Messenger

Here are the previous chapters to the best fantasy book since The Last King of Shambhala (available at any good online book store):
Chapter 1   Chapter 2   Chapter 3   Chapter 4   Chapter 5   Chapter 6 Chapter 7 Chapter 8 Chapter 9

A 'standing room only' crowd squished into the town square. They stretched their necks up to see Yēšûă as he arrived with his followers and camels.

Jude, Irene and the team mingled within the crowd, trying to weave their way to the front.

When Yēšûă eventually came into view it was met by a large cheer from the crowd, and they pushed towards him, and gave him pats on the back. If Roman soldiers had been present, there would have been no question as to which man of the traveling party was their target.

His appearance was not unlike any other young man of the time, nothing striking or different. Except perhaps his skin was darker, having clearly seen much more sun, his shoes were well worn from endless travel, and his free-flowing jet black hair and dishevelled beard was tangled and in need of care.

He made his way closer and closer to where the team stood, stopping regularly to impart words to someone from the crowd and look into their eyes with a serene gaze.

When he was mere metres away, a beggar woman tugged at his arm and began to cry. He smiled warmly at her.

The peasant wailed and fell to her knees. He answered her in a very casual manner, addressing his response to the whole crowd. He then hugged her and moved onward with his arm around her.

“What did he say?” asked Jude, noticing the crease forming between Irene's eyebrows.

Irene translated for the team. “She said she is a poor woman and asked him to pray to God above for riches. He replied:

“If those who lead you say to you, 'See, the kingdom is in the sky,' then the birds of the sky will precede you. If they say to you, 'It is in the sea,' then the fish will precede you. Rather, the kingdom is inside of you, and it is outside of you. When you come to know yourselves, then you will become known, and you will realise that it is you who are the sons of the living father. But if you will not know yourselves, you dwell in poverty and it is you who are that poverty.

“That's a quote attributed to Jesus Christ in the Gospel According to Thomas - a non-canonical scripture discovered in the Nag Hammadi library, in Egypt.”

“Is he quoting Jesus Christ, or is it common theology?” asked Jude.

The fanfare seemed to disappear as Yēšûă moved down the road.

“I don't think he is quoting Jesus Christ,” said Irene turning to the soldiers. “It is too early for people to be quoting Jesus.” She paused, and although the revelation visibly washed over their faces, she said it anyway.

“He is Jesus Christ.”

Read Chapter 11 by clicking here ... if you like this story and my pictures, please pass it onto anyone you think would like it or put it on your Facebook wall. Peace!

Sunday, 2 September 2012

Chpt. 1 - Don't Shoot the Messenger

England. 1100 A.D.

Jude Stone wiped the black camouflage painted down his square jaw and forehead, before crawling to the edge of the forest thicket. He flashed a smirk.

Before him, peeking through the early morning mist at the top of the grassy incline, was a castle surrounded by high stone walls.

The static from his two-way radio interrupted his admiration.

“Go ahead, Spider, over,” said Jude, his accent Australian.

“We've secured the North-West and North-East towers. And the detonations have been placed. Over,” replied the voice on the other end of the radio, a husky Lancashire voice.

“Roger. Coming now. Over and out.”

Jude Stone slinked through the fog towards the North West tower of the castle, cradling his M40 sniper rifle. His black boots sunk through the sludge, softening the sound of his approach.

As he came to the castle wall a climbing wire was lowered. He clipped it to his belt and scaled to the top.

There Jude was met by a slim man in a black jumpsuit, identical to the one he wore, and a gas mask. The soldier took the mask off.

“Team B are ready and waiting,” the man said, tracing his finger over an electronic tablet, “and team A have now positioned themselves around the perimeter.” The man looked up from the tablet. “There are only a few life signs in the room with the king at this point in time. Should we move in?”

Jude signaled to the soldier to get low as they heard the clinking footsteps of someone approaching.

Coming out of the doorway of a turret mere metres away was a knight dressed in a green tunic and chain mail, with a broadsword by his side.

The man searched the curling fog.

Jude crept towards the knight on his haunches, taking advantage of the blanketing fog that masked his approach.

The knight put a hand to the hilt of his sword. His eyes flicked back and forth, and he muttered a string of words Jude couldn't understand, perhaps Latin or Old English. Not French.

Jude threw a hand across the knight’s mouth and nose and snapped the swordman’s head around, leaving no time to struggle or call out.





“Green 'A', green 'B', over and out,” ordered Jude into his radio transmitter as he dragged the heavily-armoured man into a dark corner.

Stone's eyes scanned the site once more, positioning himself at the edge of the wall overlooking the castle.

Jude squinted through the sight of the rifle, poised to fire through a particular window in the castle’s keep.

Soldiers dressed in black jumpsuits and black ski-masks abseiled down the castle to another window ledge, before lobbing a stun grenade into the room. They turned away as a violent flash erupted from the room, before then bursting in with their sub machine guns aimed in front.

Through the sight of his rifle Jude saw a red-faced man in purple robes clambering down the stairs blindly and holding a bleeding wound in the abdomen. Without hesitation Jude pulled the trigger, and with a muffled bang, the man's head flew backwards. The figure tumbled down the stairs leaving only a spatter of blood on the wall behind.

Spider's voice came over the radio attached to Jude's belt, “Good shot, mate. King William II is down. Sweet brutal justice for a brutal blood thirsty king. Over.”

“Time to clean up, Spider,” chuckled Jude as he raised the radio to his crooked grin, “Let's grab the bodies and disappear. No witnesses. No more casualties. Over.”

“Affirmative. The diversion explosion has been set for the South towers with a sixty-second counter. Over,” came Spider once more.

“All teams meet back at the designated spot. We'll work on the details then. Over and out,” ordered Jude.

Click here for Chapter 2 of Don't Shoot the Messenger by Daniel Grant Newton

Saturday, 28 July 2012

Exclusive interview with fictional berserker from everyone's favourite book


Hello and welcome to another crazy article on my blog. Today we have a very special guest for you (he surely thinks he is anyway), a fictional character from Svartalfeim who became one of the most beloved characters in my book - The Last King of Shambhala.  His name... Eirik Lodbrok.

Me: Hello Eirik.  Good of you to join us. How are you today?

Lodbrok: Pleasant evening, Mr. Daniel Grant Newton.  Great to be here. One thing though, I go by Lodbrok... Lodbrok the Magnificent, if you will. Or Lodbrok the Great. Or Lodbrok the Amazing. Or any fitting descriptor, I am not that fussed, but Lodbrok, son, not Eirik. Only my mum ever used that name Eirik that slipped from your lips this fine day. And if I were naughty, and no doubt deserved a smack, she would call me Eirik Lodbrok.

Me: That's fine - I can call you whatever ... I did create you. Now, Lodbrok - if you prefer, some of the readers will be wondering who you are, could you describe...

Lodbrok:  Mr. Daniel Grant Newton, how naive and wrong you are. Everybody who lives upon this fine green planet of yours would surely not only know me name, but revere it and consider calling their kid by the same name - if they didn't think the pressure to live up to my brilliance would ultimately crush their said child into a small crushed thing.

Remember, you are not talking to a small time celeb. A flash in the silver screen pan. A minor paparazzi favourite like Tom Cruise or Angelina Jolie or some-fing. You are talking to the greatest swordsman to ever pick up a sword. The best bandit to ever steal a gem. The Padival Village cheese rolling champion two years running. And of course, every young lady's heartthrob - who could resist a cheese roller, right?

My picture is no doubt the most recognised facial representation in your world, as is the case in my world. Swordsman keep my picture in their wallet for inspiration. Law enforcement officials post my picture around every town in hope of an impending arrest - although, let's face it, no amount of back-up is EVER enough. And then there is the ladies, again. They keep my photo by their bedside for sighing at, holding against their chest, and gazing wistfully at while reading a Jane Austin classic - or lustfully if they are instead reading 50 Shades of Grey.

Me: Yes, that sort of talk could land you in lots of trouble.

Lodbrok: Is the adage "trouble is my middle name" a common adage in your world too? If it isn't, perhaps just write that I said that with a cool expression on my face, and that you threw your head back in fits of laughter, appreciating my wit and agreeing with the spot-on sentiment.

Me: One thing that actually might be a surprise to you, Lodbrok, is that you are not known outside of the readers of my book.

Lodbrok: Are you meaning to tell me only you and your mum are blessed to know me in your world?

Me: Are you implying that only my mum and I have read my book?

Lodbrok: Look, it's a great book - I should know, I am the main character - but nobody reads all those words. The movie on the other hand shall be fantastic if someone were to buy the rights. It would make millions and be a good investment for sure (hint hint).

Naturally I could play myself, and perhaps you could write a romantic interest for me... Or two, I wouldn't dare restrict your creativity. I have seen two little known actresses who could play the part.  Have you heard of Halle Berry and Jessica Alba? Perhaps you should look their numbers up in that phone book you people have and give them a holler.

Me: I hate to break you when you are just finding rhythm, but I assure you, only my readers and now blog readers know who you are.

Lodbrok: No I am pretty sure I am a big deal in Israel and Australia. And Russia, too. They love the Lodbrok in those countries. It is hard to walk down the road without being mobbed by incredibly attractive women, or men. And there's a billboard of my face on every corner.

Me: Yeah, I think you are living in some sort of imaginary world, because that is not the case.

Lodbrok: Oh, I am living in an imaginary world, am I? That is novel, excuse the pun because if you don't like it, there it still is. Not taking it back. I live in an imaginary world, do I? I don't think I am the one interviewing the imaginary friend. Now I am no shrink or nothing, but don't that sound just the little bit mad to you?

Me: I am NOT a shrink, but DOESN'T that sound a bit mad to you?

Lodbrok: You are fixing my grammar, which is your grammar.



Me: Hmmm... Maybe you are right. Maybe I am a little mad. But it is nice that you referred to yourself as my imaginary friend. It's nice you consider me a friend. Even if you did call me mad.

Lodbrok: Just telling it like it is. Anyway, enough of you. Let us enjoy much better a subject matter so your audience don't click to another page... like me and my book. Yes, bad grammar, I know. But do you realise how many of them typos you make on your blog?

Me: Yes, thanks for that. One thing I need to clarify with my casual readers - you are not actually the main character.

Lodbrok: If I didn't know you were joking, I would throw my head in some soft pillow like object and bawl man tears that would no doubt be collected by some entrepreneurial type, and sold at a rare collector's auction in Israel, Russia or Australia.

It would probably be bought or stolen by an Australian, because they love their beloved criminals, like Ned Kelly and Kylie Minogue.

I think it is because they were founded by convicts. Well, invaded by a kingdom that dropped convicts on the dreadful, endless, empty beaches to go back to the luxurious, cold and crowded Britain. Did you know that?

Me: I am Australian. I did know that. But of course there were people there before said drop-off. And Kylie isn't a criminal, by the way.

Lodbrok: Really?? Because some of those outfits are a crime. If I were her manager I would have the fashion police on speed dial.

Me: I can see Ebben has become a big influence on you. You are dropping cultural references like it's hot.  Yet, not that funny.  I hope people read my book and discover you are much more funny than this!

Lodbrok: You mean you really hope they read your book and discover YOU are much more funny than this!

Me: This whole switching reality thing is very Post Modern. And it also reminds me of one of those creepy puppets who reveals the dark inner thoughts of their weird puppeteer.

Lodbrok: ... And back to me! You do get easily distracted, Mr. Newton. I believe you came with a set of questions, as is the cultural expectation when one conducts an interview of a much admired personality. So far, however, you have asked me how I am and whether I think more than just your mum and you have read your book. Not a good start.

Me: Yes, I do have questions. Here I go. Question one. In your own words, can you describe what The Last King of Shambhala is about?


Lodbrok:  That's easy.  The Last King of Shambhala is about an incredibly handsome, charming and streetwise berserker - yours truly - and his mission to save the universe from Ragnarok - complete destruction. How it ends, you'll just have to read it and find out.

Me: That's not exactly it though, is it? You aren't even the main character. And it isn't your mission.

Lodbrok: It's all a matter of perspective, I guess.

Me: How so?

Lodbrok: Well, if Ebben - 'Universe Saver' - Alexandrov didn't meet me, who knows how long he would have lasted. Not long. Not long at all.

Me: Alright. Question two. What was the hardest thing you ever had to do?

Lodbrok: I once had to save a damsel who looked just like Halle Berry ... or Jessica Alba or Nicole Kidman ... from an army of Block Heads.  For all those playing at home, Block Heads are these incredibly awesome, unbeatable and evil robots.  I don't like to exaggerate, you know that, Daniel, but there were probably a million of them. And I was only armed with my sword, charisma and superior strategy skills.


Me: And let me guess, you want me to write this scene in the next book, make it into a movie, and get one of the aforementioned actresses to play your romantic lead.

Lodbrok: It is like we have the same brain. What is that saying in your world about great minds think alike? Ebben once said it to me.

Me: Yeah, I am not writing that scene though... Next question. What was your most embarrassing moment?


Lodbrok: Don't really have one. Well, there was this one time when a lover's ex punched me in a surprise attack while I was drunk and temporarily blinded by accidentally consuming unicorn poison. That was the first time anyone ever laid a punch on me, and I almost lost the fight. So embarrassing for a warrior like me.  But in the end I ended up winning the duel, and the young lady, let's just call her Halle Berry - it wasn't her name but it might give you some ideas, and her father watched on with candid astonishment.

Me: One last question, before you plug The Last King of Shambhala. And surprisingly, it isn't why on Earth did I think it was a good idea to give you a whole article on my blog.

Lodbrok: I am not sure you are the right one to plug my book to... your book to. I have heard of this woman called Ellen that I should speak to regarding promoting The Last King of Shambhala. Have you heard of her? I think she might have a small chat show somewhere. Probably better to hold off on plugging anything until I talk to her, and promise her the exclusive.

Me: That might be a bit difficult as you are not real.

Lodbrok: Already thought of that, my dear friend. I am alive and well in your mind, yes? Why don't you take a holiday in the recesses of your subconscious, and give me the metaphorical wheel?

Me: Not going to happen. You have already embarrassed me... Last question. Who do you admire most in the book besides yourself and your reflection? Short answer as time is running out.



Lodbrok: Odin ... and his son, Thor (pictured above). And Ebben, of course.

Me: Alright. I think that is all we have time for. Thanks for your time, Lodbrok. And to my readers, please check out my blog and my book. It is available at Amazon and any good online book store.

Lodbrok: Is that it?  I feel that was unsatisfyingly short.

Wednesday, 4 July 2012

Dear Reader, the Death Star is close to almost somewhat fully operational… perhaps.



I don’t like to blow my own horn but…

No, actually.  What am I saying?!?  I love to blow my own horn.  It has such a unique vibrant resonance that echoes across green valleys with rivers and waterfalls.

My horn blowing is a crystal clear harmonically-perfect masterpiece that is at just the right pitch to make David Hasselhoff gasp and lay the back of his rugged hairy hand to his chiseled forehead, before spontaneously combusting to the tune of ‘Jump in My Car’.  (I love that guy!)

I also love my horn, so much so that I blow my own horn about blowing my own horn.  Cue comedic honk.

But before I indulge in such vocal self congratulatory adulation, I must warn you that if you’re reading David, the avid week-to-week reader you no doubt are, find the strength to stop reading.  K.I.T. can’t save you now, either can a slow motion CJ with breeze blown hair and a bouncing standard issue lifeguard safety float.

We simply cannot lose you, David, king of suave and comedy.  Respect.  Big up yourself.  Comin’ at ya like Cleopatra.

So with that said, here I (finally) go, blowing my own horn, for everyone’s benefit bar the Hoff, trumpety trumpety like the introduction of a king to an archery event.

My novel has been chosen as a semi-finalist in the Kindle Book Review's Best Indie Books of 2012, in the Sci-fi and Fantasy category.  Since I am in North America now, I have the liberty to call it the World’s Greatest Independent Authors of 2012 Championship.

And unlike the World Series, it is an international competition.  Without the drugs.  Actually, I cannot be certain there hasn’t been some Lewis Carol performance enhancers used by any of the other competitors.

(For the record, for complete openness and transparency, I did drink 9 coffees one school night to help me write a short story called ‘The Coffee Whisperer’… it was about a guy who discovered he could talk to coffee beans.  But that was a long time ago and I regret my actions.  Actually I don’t.  But I’m presuming I would if I had a publicity manager on my imaginary payroll.)

Anyway… You can help be my further success.  I will mention you in my Academy Awards speech when the movie adaption wins the best negative cutting category for a foreign film with product placement set in three or more different locations and time periods, and containing an original music score comprised only of horns.

Or whatever award it wins in the hypothetical future.

(Note that that is to say in this particular hypothetical future event … not to say the future is hypothetical, because it invariably and inevitably will happen, but will instead be called the present to those experiencing it.  Don’t ask me why.  I didn’t make the rules… of the universe.  Or the linear timeline we perceive.)

So if I win, your efforts will be recognised.  My movie will no doubt have tough competition though as it will probably be competing with the likes of movies like Dainty Green Tree Frog Man and Google Cars.  Maybe even The Coffee Whisperer.

Anyway, point is, your help will help me, Obi-Wan Kenobi.  

(Do not be concerned if your name is Obi-Wan Kenobi, I am not stalking you, but merely inserting a cultural reference for comedic purposes and peer approval.  You should be more worried about why your parents gave you that name, and named your little sister ‘The Little Ewok’.  Also, by the same token, do not be alarmed if your name is not Obi-Wan, you have not by some freak metaphysical accident taken the identity of a fictional character.)

Anyway, that is my long winded Hugh Grant way of saying that I … erm … love you.  And am asking for your help.

So how can you help me?  Great question.  I am excited you finally asked the question and won the prize.  The prize being the illusive answer.

By buying The Last King of Shambhala on Amazon and leaving a review, that’s how.  By sharing the love, you will help me (I think) reach the finals, and then perhaps become THE Kindle Book Review's Best Indie Book of 2012 in the Sci-Fi and Fantasy category.  And then we can build a Death Star together with only one small but very important design flaw.

Join me, insert your name here, and leave a review.  I am your father.

Saturday, 26 May 2012

Novel Writing Hacks from Author Daniel Grant Newton

 
Have you got a novel in you that you've always wanted to write?  Perhaps you haven't had the time?  Or you get started, but can never finish it?

Well, as someone who spent most of his life trying to get one of my ideas into a finalised manuscript, and now being someone who has done it, I've found a few secrets of the trade to make inspiration easier, improve your story, and importantly, get it done.  This isn't an exhaustive list, but very powerful all the same - I may write a follow up article later with more tips.


1.) Write about what you love.

Writing a book takes a long time (although perhaps shorter with the tips below :P), so you need to be passionate about the subject to keep going: researching, idea generating, editing, etc.  This might be the most obvious of these tips, but it is one of the most important, and overlooked, pieces of advice since the people of Troy were told that curiosity kills the cat.
 

2.) If you're bored or aren't inspired with a section, scrap it and get more creative.

If you're bored with your story, so will your readers be.  You may have planned for 'A' to happen, but if it is a task writing it, think about other possible outcomes - and go wild.  If any bit of your book didn't fully engage every cell of your body, it needs to go!
 

3.) Daydream about your characters and story for the pleasure of it.

This is when you get your best ideas.  It also allows you to get better acquainted with your characters.  It gives you out-of-the-box ideas.  It gets you in the flow.  I don't know how - but it does - so try it.
 

4.) Jot every idea down.

Good, bad or ugly, write them down, or you'll forget them.  I wrote enough alternate story directions for The Last King of Shambhala to complete at least ten completely different books, allowing me to choose the best and build on them.  Sometimes an idea will seemingly be useless, but it will later spark a better idea, or will fit perfectly somewhere else later on.
 

5.) Create impossible problems for your characters, plan them out, and then look for creative ways to solve them.

The bigger the problem, the more tension and excitement.  These can be physical disasters, or emotional tangles ... But a combination is even more powerful.
 
Further to this, in those "will he make it or won't he", there is nothing like (even if it is a BIG cliche) a character seemingly dead, but then to emerge out of the smoke alive to the relief of their companions.
 

6.) Want to write quicker, plan out every chapter.

I wrote The Last King of Shambhala in five or more years.  There were a few reasons it took half a ten year old's life, but one big one was I planned it out as I went.  
 
This meant it was more creative than it may have otherwise been, but if you have a more simple storyline, and want to write it quicker, plan it out chapter by chapter.  It doesn't need to fit the chapters, you can be open to new directions, but it will save so much time.

I wrote the novella Don't Shoot the Messenger in three weeks.  Why?  I planned out every chapter (and it was about 35,000 words rather than over 100,000, I guess).
 

7.) Show not tell.  Adam is NOT "angry".
 
 
Everybody makes assumptions of others by how they perceive them, therefore readers will get to know your characters better when you 'show' not 'tell'.  

For example, don't say "Adam isn't happy and wanted his boyfriend James to know, no matter how childish he seemed", instead say "Adam crossed his arms and glared out the window, periodically glancing back at James and huffing until his lover diverted his eyes from the Playstation and onto him."
 
Yes, I made that example on the run, so it isn't Dickens.  Or even Meyer.  But you get the point.
 

8.) Research - the key to opening creative doors

Research, research, research.  If you have followed step one, this will be fun. If not, read step one again.
 
Knowing more about the subject allows for accuracy, but more importantly, it expands your mind, dude, and allows for more creative direction and solution.
 

9.) Quick 'cheat' way to bulk up the persona of your characters - write in another's voice
 
 

A quick way to create better characters is to play about with the voice or mannerisms or persona or beliefs of a famous movie or book character, or famous person, or of someone you know.  

Your character shouldn't be a rehash of some other character however, by doing this, you might be able to develop your character in another direction by mixing elements and mannerisms of this character with your current character.  

I'd suggest even mixing multiple characters with your original character, but still keeping the essence of him or her.

Extra tip: Try using a character that is completely out of place.  Like Fran Fine as the voice of an evil warlock, or the Terminator as a flight attendant, or Goofy as a werewolf.
 

10.) If uninspired, watch inspiring videos on YouTube before getting into writing

Some times you just aren't in the zone.  If you have a chapter about a romantic date, go onto YouTube and watch a montage of BBC adaptions of Jane Austin movies for five minutes.  If it is a boxing scene, watch a Muhammad Ali fight montage.  This isn't for copying, it just gets the juices flowing.


If you'd like to see the result of putting these tips into practice, you can now buy The Last King of Shambhala at any good online book store.

Monday, 23 April 2012

Hidden Treasures are there to be found - Chapter Two of The Last King of Shambhala - Sample of my book

Prologue

Chapter One

CHAPTER TWO: Hidden Treasures are there to be found


This is a preview of my new book The Last King of Shambhala.

Petta Road State High School, Australia. Midgard, the land of the humans. Present day.

The school veranda was very quiet. There were the muted sounds of classes in session behind closed doors, kids in P.E. playing on the oval, and the soft chirping and buzzing of crickets and insects from the bushes and the trees outside ... but on the whole, very quiet.

Ebben peered through a window at his teacher asking his new class questions and writing on the board. Nobody noticed his presence.

He stood back from the window, careful not to leave his breath on the glass pane.

All of a sudden, as the glare hit the window, he caught sight of something behind him in the reflection. It was the face of a scarecrow with shiny black eyes. A deep chill rushed through Ebben’s body.

He softly gasped, spinning around and knocking over a rubbish bin. Clang.

Rubbish scattered across the hallway. The scarecrow was gone.

Ebben slowly let his breathing return to normal.

Carefully and quietly, he set the bin upright, and shooed off a pair of large crows inspecting the litter.
Nobody in the class heard him.

“Giving me more to clean up are ya, lad?” said an old groundskeeper hobbling down the veranda.
“Sorry,” Ebben muttered, looking up at the burly man. “Won’t happen again.”

“It’s fine,” the old man said with a twinkle in his eye – the one that wasn’t half-closed – and added, “Just tame ya wanderin' mind and get back to ya schoolin’. You’re late.”

Ebben swore at the groundskeeper under his breath as he sheepishly crept towards his locker.

In his head, he could hear a raspy voice calling his name over and over.

“Shut up,” he whispered. “Go away.” Ebben shook his head, trying to free himself of the voice. “Get lost.”

Ebben looked back at the old man. He didn’t notice – or pretended not to notice – Ebben’s mutterings.

Hurriedly, his nervous bony fingers worked the combination on his locker door.

“Please. Go away,” he pleaded under his breath to the raspy voice.

Suddenly, a cold hand squeezed his bicep.

Ebben, already on edge, clambered back into the lockers, dropping his bag and spilling its contents. An apple rolled down the hallway.

“Talking to yourself again, Ebben?” came a patronising voice.

Ebben’s eyes looked up to see Jayden, Matthew and Shane closing around him.

“I was talking to the groundskeeper,” Ebben lied. But the groundskeeper was now nowhere in sight. Ebben avoided eye contact. “I’m late for class.”

“But we were just going to welcome you to the school – formally initiate you,” came the voice again. It was Jayden.
Jayden drilled his foot into Ebben’s stomach. Ebben winced as he fell to the floor, but refused to retaliate.

The boys laughed.

“Didn’t they do this at your old school?” smirked Matthew, adding a kick to Ebben’s ribs.

“They did something similar,” muttered Ebben. “But they only made that mistake once.”

“Speak up, rat,” Jayden taunted.

“I got expelled from my last school. I promised my mum and aunt no more fighting.” Ebben held his hands up and displayed his open palms. “I don’t want any trouble.”

“Hey,” Shane exclaimed, interrupting Jayden and Matthew’s ‘new boy interrogation’. “Check this out.”

Shane held up a rusty carved brass key with a blue stone on the end.

“It fell out of his bag,” said Shane.

“Give that to me,” said Ebben, scrambling to his feet.

“I don’t think so, chief,” said Shane, inspecting the key. “This will be worth a bit when we pawn it, I reckon.”
“It’d look good at my place,” laughed Matthew. “My little brother could play with it.”

“Give it to me,” Ebben said raising his voice. “My mum gave it to me, it’s very special and…”

“No, I think this is all we want actually, mate,” said Jayden.

Shane began swinging it about by the golden rope it was attached to.

“Give it to me.” Ebben moved to within an inch of Shane’s face.

“Or what?” Jayden hissed, pushing Ebben back. “Or what, mummy’s boy? You’ll tell your mummy on us?”

“Or you’ll be doing your school work from hospital for the next six weeks.”

“Big words for a...” began Jayden as he went to push Ebben once more.

But as he did, snap! Ebben grabbed Jayden’s wrist, pulled him in towards him, and rammed an elbow into his jaw with one fluid, lightning quick move.

Jayden slid down the lockers – unconscious before he hit the ground.

Matthew hurled his large frame at Ebben, as Shane hesitated for a split second. Thud! Whack!

Ebben side-stepped Matthew’s tackle, flung him into the lockers, and as Matthew turned his bleeding nose around, caught him square in the face with a side snap kick.

Matthew crashed down to the floor, not knowing which way was up.

Shane stared at the damage his friend’s head had made in the lockers.

Slowly he stretched out a shaky hand and offered the key back.

Ebben snatched the key. His eyes locked on Shane’s.

“Okay, now you know,” said Ebben, putting the key around his neck. “Now you know why I have to go from school to school. And why you shouldn’t touch things that aren’t yours. Is the lesson over, or do you want something to take home and reinforce what you’ve learnt?”

Shane turned on his heels and scampered down the slippery hallway.

Once the bully was out of view, Ebben wheezed, clasped his chest, hunched over, and squeezed his eyes shut. Almost immediately, a red rash spread from under his school shirt to around his neck.

He swore.

“Ebben Alexandrov,” came an authoritative voice. “I think I’m going to have to call your aunt in again.”

Ebben looked up with a pained expression to see the headmaster crouching on his haunches, inspecting the unconscious Jayden and Matthew.

“My office. Now.”

Click here for Chapter Three. This is a preview of my new book The Last King of Shambhala.


Sunday, 1 April 2012

The Last King of Shambhala Preview

The below is a preview of my new book 'The Last King of Shambhala', available on all good online book stores including Amazon Kindle.


“At the centre of your being, you have the answer. You know who you are, and you know what you want.”

- Lao Tzu

It’s a peculiar thing, having no memory.

Not knowing your name or who you are. Not knowing what you were doing mere minutes ago. Not even having one hazy, distant memory of a life before.

It’s as if you were born again, seeing the world for the very first time. At least, that’s how I felt when the two Nepalese herdsmen unearthed me.

I remember hearing spiked shoes cutting the ice, muffled voices, the shovels slicing through layers of snow, and finally my limp body being pulled through a hole a little wider than my head.

As far as I am concerned, that was my second birth.

They carried me down the mountain to their village, and looked for somewhere to accommodate me while I recovered. The herdsmen’s sister, Amisha, put me up in her home.

I was to stay for at least three weeks, insisted Amisha, using a calendar to communicate this to me. Three weeks turned into a few months, which turned into a year.

Amisha nursed me back to health and helped me get back on my feet – literally. And as she did, I became one of her family.

I learnt to communicate with Amisha’s family: charades at first, then single words, then stumbling sentences, and finally I could speak Nepalese fluently. (In fact, at the speed I picked it up, I wondered whether I had had a basic grasp of it in my ‘previous life’.)

I ate with them, cooked with them, worked in their shop, celebrated birthdays with them, and joined in their customs. I also helped Amisha as best as I could with the jobs her husband used to do before he passed away, five years ago.

Naturally I got a lot of attention from the local villagers when I went to the markets with Amisha. Each day I’d be accosted by another villager; what was I doing up in the mountains, who was I, where did I come from? The explanation became routine, and I learnt to recite an acceptable story without much thought.

“All I remember,” I would say, “was the feeling of finally letting go as the snowstorm tackled me to the ground and disabled my body. The last memory I had was staring blankly at the snow covering my body, and waiting for a tunnel with a bright light at the end to appear.”

At that moment, death didn’t frighten me. Not the way it does now. It was more a curiosity.

Will my life rush before my eyes? Will I understand life, the universe and creation in a jolt of enlightenment? Will I be greeted by an angel or a man with a white beard?

Or will dead family members or close friends greet me?

Will the people who greet me be people I like, people I don’t like, or merely a handful of random folk who crossed my path in life, who have some sort of cosmic obligation to give me the keys to the pearly gates?

And importantly, will I know that I am dead? That’s assuming, of course, that there is some kind of afterlife. If there wasn’t, I guess my wondering could have ceased forever more.

But death didn’t happen. Two quick-thinking herdsmen defied the Grim Reaper, though not before he took the part that made me who I am – or who I was. My past was wiped from my conscious recollection.

And although at first I enjoyed the freedom of a life without years of baggage, a part of me challenged my spirit’s gleeful, aimless meanderings. In the recesses of my mind, questions about my past began creeping in, until finally my dominant thought was: Who am I, and what am I doing here?

It was then that Amisha took me aside. We had been celebrating the New Year, and I’d estimate it was an hour or so after the midnight firecrackers had been dragged through the streets to every kid’s delight and every cautious mother’s fright.

We sat down at the square table squished in the corner of the dirt floor kitchen. She held my hands and smiled at me in the same way she smiled at her own children.

“Damon,” said Amisha, her eyebrows rising and her smile fading.

Damon was the name a villager had given me, in reference to an actor called Matt Damon who, I’m told, once portrayed a character found in the ocean with amnesia. Most of the villagers did not see movies often, but after it had been explained to them, this quickly became what I was affectionately known as.

“Damon,” she repeated, “there is something I want to reveal to you. Something none of the other villagers know. A secret kept within our family’s bloodline.”

I did not know what to say. It came as an honour, but also, a surprise. This very unassuming family did not look like they kept a secret, and it seemed curious they would reveal it to me, despite the close relationships I had fostered with Amisha, her two herdsmen brothers and her children.

“The secrecy keeps it alive and intact,” whispered Amisha, producing a tattered scroll. “It keeps it from getting into the wrong hands, so that when someone comes along with the right hands, they can hold it. In the wrong hands the secret would fall through their fingers like sand, and be gone forever.”

“Why are you telling me this?” I asked, not quite understanding her vague right and wrong hand explanation.

“Because you are the one our family has been waiting for. Your hands are the right hands. I needed to be very sure you were indeed the one my family waited for before I made the decision to reveal this to you. So do not take my words lightly when I say you are the one, for it is the result of much mental deliberation.” Well, those weren’t her exact words. I’m translating and paraphrasing.

She then handed me the scroll. It was very brittle, so I opened it with care and flattened it out on the table. It read: Vibhishana. And below this word – which meant nothing to me – was a map.

“This is the real name of what people call the Yeti or Meh-Teh.” She paused for a beat to let me take in what she had just said. “A sacred name we have kept in the family but not spoken.

“If you trek to the ‘Temple of the Blessed’ hidden deep in the forest,” she said, pointing to a spot on the map, “and call his real name three times,” she held up three fingers, “he will come to you, and show you to the gates of Shambhala. You call him, and you wait.”

I sat in silence. After spending so much time with Amisha’s family I had learned quickly to just accept their superstitions and go along with them, but this wasn’t the usual crazy talk.

This was something more ‘out there’ than refraining from whistling in the home, or throwing three rocks ahead of you before making a journey, or celebrating when a crow builds a nest on your roof because you have now been blessed with good luck.

Actually, thinking about it now, I had learnt that last one – about the crow bringing good luck – the morning before Amisha revealed her secret to me. We had noticed the bristly nest built into the corner of her rooftop, with a pair of black eyes and a sharp beak turned towards us inquisitively. Amisha had thrown her hands up in joy, and explained the superstition to me. In hindsight, that might explain why she decided it was the right time to confide in me.

I had so many questions, but didn’t know which one to start with. “Why do I need to see this Vibhishana?” I murmured.

“Because he is going to take you to Shambhala. In Shambhala, you will be given the Akashic Records, and you will discover who you are. Who I already know you to be. Only then, may you return, should you wish to.”

Her left eye twitched. After spending much time by her side, I knew this meant she was hiding her emotions. What emotions, I do not know.

(I had also learnt from one of Amisha’s equally superstitious brothers that when a woman’s left eye twitched, you could expect good luck. I found myself getting a lot of good luck from Amisha these days.)

After all Amisha had done for me, and because of the loving bond that had grown between us, I found it impossible to refuse her. I knew that, though heartbreaking, it would be less difficult to say farewell to her and her kin – the only family I had ever known – than to refuse such an earnest request.

I packed a satchel, and left three days later. To avoid questioning, I left before sunrise and told no one outside my adopted family of my departure.

It took two days, sleeping on trains and buses, before I arrived at a remote village on the edge of the forest. Then, another two days crossing wild rivers, trekking through endless stretches of waist-high grass, and up and down mountainous ranges, before I arrived at the temple.

At one point, towards the end of the second day, I found myself lost in thick forest. Two crows flew overhead and I imagined Amisha’s voice in my head:

The great Garuda, King of the Birds, and Yama, Lord of the Afterlife, have sent them to guide you through the jungle thicket to the temple.

After spending so much time with Amisha and her children, it was strange how these beliefs and superstitions infiltrated my mind, even at a subconscious level. I do not remember hearing about Garuda or Yama, and perhaps they were the result of a highly active imagination, but I decided to follow the birds anyway. It was as good as any other direction, I justified to my sceptical self.

After following the birds for perhaps half an hour, I caught a glimpse of the temple. It was hidden by an overgrowth of vines, practically invisible if you did not know what you were looking for. I entered the temple through a hole in the side, negotiating spider webs and clouds of dust that rolled like ocean waves at my feet.

Inside, the walls were covered in a magnificent crumbling mosaic that seemed to depict many stories.

The temple was silent, but in my head I swore I could hear monks chanting a deep mantra accompanied by windpipes, chimes and the whistle of bronze cylindrical tubes twirling. I was soon to discover that the temple was bustling with monks, albeit on a different vibrational dimension. So, though I didn’t realise it at the time, what I heard so clearly in my head was not my whimsical imagination, rather, a result of extra-sensory perception.

I emptied the contents of my satchel on to the cracked marble floor, and my quivering hands flattened out the scroll. I unconsciously began picking at the bristles on my chin.

“Vibhishana,” I called. My voice bounced off the walls. I called his name twice more, as Amisha had instructed. And then I waited, sitting cross-legged, for it seemed the most appropriate thing to do in a temple.

Time moved slowly. And by that, I am not meaning my perception of time, but actual time. It appeared that inside the temple I was in a curious time dilation field that ran at a much slower rate than the outside world. There was no rational explanation for this phenomenon, and so I had no choice but to accept something mystical might be taking place.

I first noticed this when I looked out the window in search of the approaching Yeti. The trees did not sway lazily with the wind, but rather pulsed at the rate of my heart. And comparatively, movements inside the temple appeared to float like movements in a dream.

I decided to calculate the time difference while waiting for the Yeti. I estimated that as two hours passed on the fob watch Amisha had given me for my ‘birthday’ (the anniversary of when I was found in the snow), the mid-morning sun had crossed the sky, set, and made way for the rising moon.

And so, although it felt like only four hours had passed before the Yeti… Vibhishana… arrived, I surmised that it had taken him a little under a day of travelling to get to the temple.

Vibhishana, the figure from all the Yeti stories and sightings, arrived just as my head began nodding off to sleep. I had heard footsteps in the temple and my eyes snapped open. I instantly became very alert.

A cool breeze whistled through the temple, disturbing the dust clinging to the walls. I sat silently.

A tall figure approached me, and the closer he got, the clearer his features became. Finally, he sat down, cross-legged, before me.

He was humanoid, though clearly not human. He had hairy cream skin stretched across a thickset, muscle-bound body. The hair on his head and square jaw was particularly long and thick. He had a snout like a cat, and eyes that projected wisdom, peace and contentment.

Despite his animalistic appearance, his mannerisms were very human-like, and he was adorned with gold jewellery and dressed in garments of intricately patterned silk.

The being began making noises. A measured sequence of grunts, whistles, whimpers and clicks, that seemed to have an order to it that suggested a language, alas, one that I could not understand.

“Namaste,” I said, placing the palms of my hands together and bowing my head.

The being mimicked my gesture and continued his attempt to communicate.

As I focused on these sounds however, they began to form words I could understand. “So you have finally returned,” I eventually heard him say, much to my amazement.

Continue reading?  Click here for part two. (The above is a preview of my new book 'The Last King of Shambhala', available on all good online book stores including Amazon Kindle.)

Friday, 30 March 2012

The Last King of Shambhala arrives...

Hi there. It's time to spend your pocket money and be taken into the fantastical realm of your imagination. It is official, The Last King of Shambhala has arrived.

Check out the trailer below, or go to any good online bookstore. Or do both.

(And if you're not sure whether it is the best book you'll ever read, which it is, I'll be posting a preview in my next post!!!)

So without more typing, here is the newest trailer. Enjoy!

http://www.youtube.com/watch?v=1wvHON03k0E&list=UUCek_J1HFW1hGAvd8FtBnzA&index=1&feature=plcp

P.S. I am writing this from my iPad in a cafe in Vietnam, so I apologise for the messy format and quick post.

Monday, 27 February 2012

The Publishing Iceberg ... Never Trust a Creative with a Timeline

"So when can we buy your book?"

July 2011

November 2011

January 2012

February 2012

March 2012

My book is finally ready for online publishing, my dear and patient friends.  

Despite a number of false starts, and a book trailer that has been watched by 885 people (as of today) that states it will be ready for purchase eight months ago.

And of course, when I say finally ready, I mean it will be available to purchase in the next 14 days ... it has been written, has had numerous edits (by myself and others), has a cover (as seen above), has a theme song, and has even more book trailers... something tells me I just like making book trailers.

Naturally, now I have to think about such things like a website, a Facebook page, and how to take it from one in a million books, to THE one in a million book.  I came up with that just as I write.  Thanks.  I know.  Brilliant, right?

So when I said last week this is when my journey starts, what I REALLY meant to say is THIS is where my journey starts.

Publishing Iceberg.
But I guess the lesson here is that it takes much, much longer than you expect to get a project off the ground like this - ESPECIALLY when you're taking the world on yourself, and not got a whole paid publishing and marketing team behind you.  There are just so many things to do in the unseen (FYI self-publishers).

My publishing team is me.  And my marketing team is my readers who are obsessed with like my book and tell others about it.  (Kind of like my blog.)

(And creatives are, well, creative with expected timelines, too.  That's why publishers set the release dates and not authors, I guess.)

Anyway, I am just so so so excited about the release, I thought I'd drop you a line.

Oh, and by the way, if you like my book cover above, check out the graphic designing team that created it and their 'off-the-chart' creativity at: www.neverlandstudio.com.au


Monday, 20 June 2011

Can too many book editors or artistic opinions spoil the creative brew?


The idea behind this blog article can be adapted to anything, whether you're writing a story, or creating art, or creating anything artistic - but since I've just finished my first novel and everybody wants to be my editor (which I'm thankful for), I'll use a book as an example.

Say you're writing a book (if you're confused because you are not writing a book, read the above paragraph again).

You've put a generous proportion of character development. Put a sprinkle of romance in it. A dash of action. Two cups of intrigue. You've mixed it around, and have let it sit. It is now ready for you to put it in the oven and have people look over your story.

We are still talking about writing a book right? Yes, and I'm glad you bared with me with my over-the-top extended metaphor. Are we talking about a cook book? No, forget the whole cooking thing. Then why did you start talking about cooking? (Excuse me, I'm just having one of my multiple personality moments.) I'm hungry.

Where were we? I have been sidetracked... a feature of this unedited blog apparently.

Now you've got people looking over your work, critiquing and giving advice. Question on your lips is, or sign-languaging hands for those who cannot speak... can you ask too many? Survey says... The plain and simple answer is yes but no but yes but no - to quote a few television shows in one mash-up sentence.

It's great to get different perspectives and ideas (and grammar checks) from willing participants, but the caveat on that is that they are the cooks, and you are the chef. The iron chef with the iron fist.

You use your cutting knife (probably iron too) adding some suggestions and cutting others. So although they are integral to the editing process, do not change your story if it doesn't feel right to you. Or change your artistic vision. Or your art piece. Or whatever.

It is ALWAYS your work, not theirs... however this leads me to...


Two words of warning.

Well, two points of warning. I couldn't summarise each point in one word.

One, don't take offence to what they say.

Everyone has different tastes and sometimes they'll have an opinion that you don't have. That's okay. Doesn't mean your books sucks, or that is must be changed to their liking. (They'd probably tell me enough of the cooking analogy Daniel. You should really have got this blog entry edited. In which I'd answer, "I'm hungry and I don't know why.")

And then there will be people who just never like your work, or the fact you are doing that work. There are many reasons people won't like what you do, and none of them are really ever about you or your work. For example, I find people often tell me I can't do things when they really fear that it will reflect badly on them and what they have achieved in their lives.

And, as I always say (to myself in the mirror with the door closed), if you want to be something different or more than those around you, you have to think and do differently than them. So thinking differently to those around you is the first step in moving forward.

Don't get me wrong, your editors will always (most likely... probably... maybe... perhaps) be well meaning. But subconsciously they won't want you to make them look bad. Success and being different scare most ordinary folk.


And that leads me to my second point...

Two, don't fight over what they say.

It's futile for one. They probably think what they're saying is correct no matter what you say, but more importantly, you should never have to justify your reasons. Does Lady Gaga defend her cigarette glasses, or Michael Jordan ever defend why he wears Nikes, or Charlie Chaplin ever defend why he never spoke? (I hope I'm making you laugh as much as I'm making myself laugh!)

Point being, because you're a genius, or a genius in the making, you don't explain - that's for critics to ponder. Just ask me why I can think that and watch me not justify it because I'm a mother flippin' genius - and so are you - yes, you.


Always thank them for their advice, but you don't have to ever say you'll take it all on baord!

Thank them, use what you want, don't use what you don't want. You may ask them for clarification, but don't go to war with them on why your artistic idea is right and their opinion is wrong. It's an easy equation.

Y x (A + T) x (G - R) = S

Y = Your Work
A = Ask
T = Thank
G = Good Advice
R = Rubbish Advice
S = Success, or sexiness personified

So don't go to war with your editors. Just thank them, and don't take it personally because your art is all about YOU.

(On a side note, if a young Hitler's art pieces had been more accepted we may not have had War World Two so... case in point. And who knows, Ghengis Khan was probably spanked when he did finger painting at pre-school.)

And take a look at it from your editor friend's side of the table. If they feel attacked for opening up with their opinion they'll never give you advice again (and I need people to check my spelling and grammar).

These two points are hard to follow, especially since you've put your soul into your story, but essential to a writer or artist.


Last Thoughts...

Never worry about whether people will like what you've done. I have always found that if you throw yourself completely into your artistic expression, are passionate about it and making it the best possible piece, and love it with all your heart, the world is a big enough place that there will be plenty of people who will support you.

On a side note, one month until my novel is out! :-) Just in case you are one of the people who are going to support ME and buy it!