Showing posts with label how to write a novel. Show all posts
Showing posts with label how to write a novel. Show all posts

Monday, 17 June 2013

My Secret to giving Character to my Characters















Co-create the Character with your Reader

One mistake I believe writers make when they are creating a character is they tell you everything you need to know about the character.  But that isn't the way we meet people and get to know people, and it is NOT the way we ignite the imagination.

In fact, the closest we get to a character description in real life is a friend telling us about a person before we meet them.  Instead, most of us pride ourselves on not jumping to conclusions about people before we meet them.  

We wait until at least we see their tattoos, eyebrow piercing and the scar running down their snarl before knowing they are exactly the type of person our parents will reject, and therefore the perfect life partner.

(On a side note, what a character says about another character tells us just as much about the character talking, as it does the character he/she is talking about.)

A more effective way in your writing is to lead the reader to judge a character for themselves through their actions or in clues, like appearance.  That way a more authentic and deeper bond is fostered between the reader and character as it is THEIR judgement, not you telling them.

A word of warning here, do not describe the character's appearance in too much detail either.  (I sometimes do a little too much, but I know that I really shouldn't!)

As with letting the reader co-create the persona of our characters, let the reader fill in the details of a character's appearance.  Ignite the reader's own imagination by picking a few 'touchpoints' that infer the personality or status or background etc., and that can be employed later to reintroduce the character throughout the book.

The retired general with one squinting eye and a giant mole with luscious hair cascading from it as if it were a separate living entity, will connect better with a reader than a shopping list of wardrobe pieces and a police profile description.


WHAM! BAM! POW! ... Bonus Tip for COMICS!

When you are creating characters for comics, you can use these same 'touchpoints' in your drawings too.  Below are some ideas I have had for the new comic I am working on 'Paint the Town Red'.

You can see how a character's head shape, eyes and accessories, for example, help the reader know straight away which character is which.  Beside the first three I have included some original conceptuals of the character before I 'cartoonised' them.


Saturday, 26 May 2012

Novel Writing Hacks from Author Daniel Grant Newton

 
Have you got a novel in you that you've always wanted to write?  Perhaps you haven't had the time?  Or you get started, but can never finish it?

Well, as someone who spent most of his life trying to get one of my ideas into a finalised manuscript, and now being someone who has done it, I've found a few secrets of the trade to make inspiration easier, improve your story, and importantly, get it done.  This isn't an exhaustive list, but very powerful all the same - I may write a follow up article later with more tips.


1.) Write about what you love.

Writing a book takes a long time (although perhaps shorter with the tips below :P), so you need to be passionate about the subject to keep going: researching, idea generating, editing, etc.  This might be the most obvious of these tips, but it is one of the most important, and overlooked, pieces of advice since the people of Troy were told that curiosity kills the cat.
 

2.) If you're bored or aren't inspired with a section, scrap it and get more creative.

If you're bored with your story, so will your readers be.  You may have planned for 'A' to happen, but if it is a task writing it, think about other possible outcomes - and go wild.  If any bit of your book didn't fully engage every cell of your body, it needs to go!
 

3.) Daydream about your characters and story for the pleasure of it.

This is when you get your best ideas.  It also allows you to get better acquainted with your characters.  It gives you out-of-the-box ideas.  It gets you in the flow.  I don't know how - but it does - so try it.
 

4.) Jot every idea down.

Good, bad or ugly, write them down, or you'll forget them.  I wrote enough alternate story directions for The Last King of Shambhala to complete at least ten completely different books, allowing me to choose the best and build on them.  Sometimes an idea will seemingly be useless, but it will later spark a better idea, or will fit perfectly somewhere else later on.
 

5.) Create impossible problems for your characters, plan them out, and then look for creative ways to solve them.

The bigger the problem, the more tension and excitement.  These can be physical disasters, or emotional tangles ... But a combination is even more powerful.
 
Further to this, in those "will he make it or won't he", there is nothing like (even if it is a BIG cliche) a character seemingly dead, but then to emerge out of the smoke alive to the relief of their companions.
 

6.) Want to write quicker, plan out every chapter.

I wrote The Last King of Shambhala in five or more years.  There were a few reasons it took half a ten year old's life, but one big one was I planned it out as I went.  
 
This meant it was more creative than it may have otherwise been, but if you have a more simple storyline, and want to write it quicker, plan it out chapter by chapter.  It doesn't need to fit the chapters, you can be open to new directions, but it will save so much time.

I wrote the novella Don't Shoot the Messenger in three weeks.  Why?  I planned out every chapter (and it was about 35,000 words rather than over 100,000, I guess).
 

7.) Show not tell.  Adam is NOT "angry".
 
 
Everybody makes assumptions of others by how they perceive them, therefore readers will get to know your characters better when you 'show' not 'tell'.  

For example, don't say "Adam isn't happy and wanted his boyfriend James to know, no matter how childish he seemed", instead say "Adam crossed his arms and glared out the window, periodically glancing back at James and huffing until his lover diverted his eyes from the Playstation and onto him."
 
Yes, I made that example on the run, so it isn't Dickens.  Or even Meyer.  But you get the point.
 

8.) Research - the key to opening creative doors

Research, research, research.  If you have followed step one, this will be fun. If not, read step one again.
 
Knowing more about the subject allows for accuracy, but more importantly, it expands your mind, dude, and allows for more creative direction and solution.
 

9.) Quick 'cheat' way to bulk up the persona of your characters - write in another's voice
 
 

A quick way to create better characters is to play about with the voice or mannerisms or persona or beliefs of a famous movie or book character, or famous person, or of someone you know.  

Your character shouldn't be a rehash of some other character however, by doing this, you might be able to develop your character in another direction by mixing elements and mannerisms of this character with your current character.  

I'd suggest even mixing multiple characters with your original character, but still keeping the essence of him or her.

Extra tip: Try using a character that is completely out of place.  Like Fran Fine as the voice of an evil warlock, or the Terminator as a flight attendant, or Goofy as a werewolf.
 

10.) If uninspired, watch inspiring videos on YouTube before getting into writing

Some times you just aren't in the zone.  If you have a chapter about a romantic date, go onto YouTube and watch a montage of BBC adaptions of Jane Austin movies for five minutes.  If it is a boxing scene, watch a Muhammad Ali fight montage.  This isn't for copying, it just gets the juices flowing.


If you'd like to see the result of putting these tips into practice, you can now buy The Last King of Shambhala at any good online book store.

Monday, 27 February 2012

The Publishing Iceberg ... Never Trust a Creative with a Timeline

"So when can we buy your book?"

July 2011

November 2011

January 2012

February 2012

March 2012

My book is finally ready for online publishing, my dear and patient friends.  

Despite a number of false starts, and a book trailer that has been watched by 885 people (as of today) that states it will be ready for purchase eight months ago.

And of course, when I say finally ready, I mean it will be available to purchase in the next 14 days ... it has been written, has had numerous edits (by myself and others), has a cover (as seen above), has a theme song, and has even more book trailers... something tells me I just like making book trailers.

Naturally, now I have to think about such things like a website, a Facebook page, and how to take it from one in a million books, to THE one in a million book.  I came up with that just as I write.  Thanks.  I know.  Brilliant, right?

So when I said last week this is when my journey starts, what I REALLY meant to say is THIS is where my journey starts.

Publishing Iceberg.
But I guess the lesson here is that it takes much, much longer than you expect to get a project off the ground like this - ESPECIALLY when you're taking the world on yourself, and not got a whole paid publishing and marketing team behind you.  There are just so many things to do in the unseen (FYI self-publishers).

My publishing team is me.  And my marketing team is my readers who are obsessed with like my book and tell others about it.  (Kind of like my blog.)

(And creatives are, well, creative with expected timelines, too.  That's why publishers set the release dates and not authors, I guess.)

Anyway, I am just so so so excited about the release, I thought I'd drop you a line.

Oh, and by the way, if you like my book cover above, check out the graphic designing team that created it and their 'off-the-chart' creativity at: www.neverlandstudio.com.au