Showing posts with label drawing. Show all posts
Showing posts with label drawing. Show all posts

Saturday, 27 August 2016

The Fisherman and the Koi Fish Woman - by Daniel Grant Newton

Helloooo friend of mine, and friend of creativity and FUN!

Today I'd like to share with you a new drawing I have completed, and the story that inspired it.  

Warning! I have not had any time to edit or refine the story, but I wanted to share it with you anyway, so it might be a little "raw".

First the Story I had leaping from my head...

Once there was a Koi Fish who wanted more than anything to know and explore the world beyond the ripples.  In her youth she had been the pet of a little emperor, living in the palace pond, and the faces that looked down upon her fascinated her.

After a wild storm she had been swept out to sea far from the palace walls, but this fascination with the world of the land dwellers had only grown.

One day this fish swam to a distant coral reef where wishes were said to be granted to those worthy.

There she met a giant jellyfish that shone like a star, so much so that the little fish could not look directly at it.  

The jellyfish saw the dream in the Koi Fish's heart, and said:

"Answer me this question and I will grant you your great desire: which is the greater adventure, the known or the unknown?"

The Koi Fish somersaulted with excitement, and answered, "the unknown of course."

"Koi Fish," said the Jellyfish, "I will give you one cycle of the moon to explore the world above the ripples, and then you will return."

The Koi Fish fell into a restful slumber unlike any fish usually experiences, and woke up to the water lapping against her, lying on the beach.  She was surprised to find she was no longer a fish but in the form of a human woman. 

However, this caused her trouble.  Having never had arms or legs before, she could not move, and even breathing was a strange feeling.

Luckily a fisherman came upon her and brought her to his grandmother's home.  Each day he would visit the beautiful woman that was once a fish, feeding and caring for her, teaching her to walk and move, and even to talk and read.

Together they would explore the land and he would do his best to answer her many questions.  

The fisherman thought the young lady must've fallen overboard and hit her head, because whenever he asked about her past, she told him she could not remember any of it.  And in the end she really did forget her past, and even pondered the validity of the story the fisherman made up to explain her memory loss.

The two grew to love one another, and many cycles of the moon later, the fisherman and the lady confessed this love for each other, and decided to wed.  However, leading up to their wedding, the woman's memory slowly returned until she remembered every last detail of her life before she was human.

The jellyfish's words echoed in her mind all day, and each full moon her skin became more and more scaly.  It was as if with her fish memories her fish body was coming back too.  That is until the sun rose and she could return to her human appearance.  For at this time, the fishy effects were still temporary.

To hide her scales from her fiancé, she would venture out into the woods each new moon.  And each time she did, she would become more and more like a fish woman.

Soon there were sightings of a scaly monster from the deep blue haunting the fisherman's village, and stories were invented to describe how horrid this monster was.  Of course none of these stories were true.  People are afraid of the unknown and fearful people make up terrible stories that become embellished with each retelling.

One example of such a story came from a local trader who said the monster had set a village over the mountains alight, and dragged the bodies into its underwater lair to devour.  That was why, he declared, the wares he had were more valuable, because it was that village that was the main supplier of the items he traded.  This story came from his fear that he would not be able to make ends meet and fulfil his potential as a tradesman.

This fabricated story grew and grew thanks to fearful people until many were saying that there was an army of these fish-like monsters marching across the land and devouring every man, woman and child in sight.  And furthermore, so the stories went, these creatures now had the ability to manipulate the elements: fire, water, earth and air.

Another tall story came from a farmer's wife swore that she heard the monster scratching at their door and moaning it wanted to be let in.  Some skeptical villagers pointed out however that this was likely the farmer who had gone out drinking that very night.

This story however mutated into a story about how the creature had been able to walk through the door as if it were not there, before eating the woman and her children.  And people who never heard the original story were now saying that under this home the creature had made a nest full of one hundred eggs.

The fisherman was not sure what was true and what was not, but he grew afraid for his fiancé's safety, who was known by all to take night walks by the water.  After one night where he could not sleep because the fear had possessed him, he decided to kill the monster.  At the breakfast table the next morning he revealed his plan to his partner.

His fiancé, fearful he may find her in her monstrous form or that she may turn into a fish once and for all, decided in that moment that the next new moon she would attempt to swim to the magical coral reef to see the jellyfish and ask to be made human permanently.

The night finally arrived and she crept through the village and into the water.  Her scales began tightening around her body as they had done before, but as if her body sensed the water, she grew gills and could no longer breath the thick air.

Gasping for breath, she turned to find her fiancé standing behind her, sword poised to strike.  In front of him he saw the scaly monster, but looking into her eyes he saw something he recognised.  He saw his love's eyes, more scared of what he might think than the sword he held.

He lowered his sword and turned his back, confused but coming to realisation.

And with that moment of recognition, she transformed back into a Koi Fish and dove down into the deep ocean, not wanting to look back as she was ashamed of the secret she had kept from him.

To know the ending to this fairytale I conjured in the theatre of my mind, continue to read on, but first...

How that little story landed onto the page...

First I sketched the scene depicting the ultimate dramatic moment of realisation and decision.  The moment the fisherman finds the monster, and realises it is his wife-to-be.

- Then I coloured it in with pencils to highlight what I wanted the eyes to be drawn to and to convey additional meaning through the colour;
- As well as coffee stained the paper to give it an aged look and add to the murky concoction of emotions being stirred in both our protagonists;
- And added in (with photoshop) Japanese characters to give it a storybook/ancient scroll feel.

See below for the before and after shots.


BEFORE
Pre-Coffee and Colour Image of Fisherman and
Koi Fish Woman by Daniel Grant Newton.

AFTER
Post-Coffee and Colour Image of Fisherman and
Koi Fish Woman by Daniel Grant Newton.


So what happened?


Caption: This is a little bit of photoshop I did after for fun.
It gives a very different feel and darker feel to it.
Something that perhaps reflects where this story is
leading us through.
The fisherman returned to the water's edge every night for five years, hoping to find the fish that got away, but each morning he would return disappointed.  

He then travelled the land for two years, searching far and wide for mystics who could tell him something about his fiancée's whereabouts, or bring her back. 

But these efforts were fruitless.

This left him distraught, and he slowly became the village crazy man, no longer eating or washing himself.  Just sitting on the rocks by the water all day looking out at the ocean.

This made him now the source of rumours and tall tales... tales almost as tall as the fish monster woman and this very one you are reading right now.

Meanwhile, the instant his woman turned back into a koi fish, her memories drifted away in the current.  

Although she was typically happy in the following years, on the times when she yearned to explore the unknown as she had once yearned for before, she would feel empty.  It was as if the fish's heart still kept the memory of her lover and other life while her brain did not.

One day the fisherman looked into the water as it and he sat still.  Instead of searching the deep blue for a little koi fish, this time he saw the water reflecting back at him what he had become: a matted beard that tumbled down a hollow chest.

This picture haunted him, and so he staggered down the rocks and to his little boat - a boat that had not seen use for some time.  He launched the boat off the shore and jumped in.

Some days later the boat ran aground into a coral reef, and due to exhaustion, dehydration and starvation, the fisherman fell into the water and sunk to the bottom.

When he woke up he thought he was dead.  It was very dark on the ocean floor, but above him he could see a bright light approaching him.

The light spoke: "Answer me this question and I will grant you your great desire: which is the greater adventure, the known or the unknown?"

The man could not speak.  And in fact, without air to breath, he should have been dead.  But he wasn't, and his mind could only think of one thing: "My love, the known."

Lights like little fireflies descended upon him, seemingly coming from the light above him.  He shut his eyes, finally feeling a peace that he had not felt since his fiancée had swum away.

When he awoke he was a koi fish, and those eyes he had last seen on that fateful day gazed back.  He was home. 

***If you would like to read more stories like this, or see more art like this, put your email in the subscription bar at the top of this blog, and enjoy!  Hope to see you next article :-) 

Saturday, 23 July 2016

How an art piece comes to be, my "Mother Nature" drawing...


Hey there friend, I thought I'd do it again.

That is, take you behind the metaphorical curtain of my mind's studio, with your invisible laminated backstage pass, and give you a behind the scenes look at my piece with the working title "Mother Nature".


It's a working title because a title that doesn't work is lazy and I'm just not going to continue to support its lavish lifestyle with no responsibility. Everything in my imaginary studio has to work - no exceptions - there are no free rides on the highway to creative expression.


Anyway, back to making sense.


I chose this art piece because it really highlights how the many developments a piece can go through in its gestation period.  


Hmmm... I think I've got pregnancy on the mind, but let's go with it.


Conception


Conception is always fun. Well, it should be, or you're not doing it right. And art is no different.

For this piece I really drew from my subconscious, almost automatic drawing. I knew I wanted to draw a figure and do something a little different with it, and then this happened.



So yeah, a lady about to give birth to the Earth.  Ouch.

Does it mean that our mother's are birthing tomorrow's world?  Maybe, subconsciously. 


Is it to do with Mother Nature?  No, despite the working title. 


Is it a huge monster of a lady who has eaten the planet?  No, but very creative thinking reader.


Truth is, part of it was subconscious, and part has my own personal meaning, which if I tell you what that is, then you are less likely to find your own meaning from it.  And where is the fun in that?  I don't know.  Somewhere.


But I wasn't done.


The First Trimester


So now looking at the picture I noticed a fault.  The face wasn't quite right.  

Mainly because I had just started drawing and hadn't lightly sketched it out like one should to ensure the proportions and positioning of eyes, nose, mouth and ears were correct.  

I had just jumped right in with no planning.  I guess the passion of the moment just got the better of me ;-)


Anyway, I wasn't going to abort this living breathing drawing despite its faults.  I mean I think every artist has the right to choose whether to scrunch up that paper and start again, or persist and try to make it work, and this time I thought I would persist.  


Make it work like a working title.  (That doesn't make sense, I know, just read on and forget I wrote it.)


Mind you, I was feeling very lazy, so erasing the entire face and starting again didn't sound appealing.  So I came up with a solution.  Hide the problems in shadow.


Perhaps, I thought with a sneaky smile and a cheeky glint in my eye, shadow like the shadow Earth has on the side facing away from the sun.  Boom!  A good idea just happened like that.  She's not only birthing the planet, she's got the same lighting set up.

I could even put the far side a little blurry and out of focus with smudging.  So that is just what I did, and here it is with a little photoshop contrast increase added in afterward.

Second Trimester



Now it was time to add colour and accentuate the light and shadow in Photoshop.

Now, that could be the final piece there.  

But I thought, maybe...


... just maybe ... 


... a background could make it pop even more.  


So...


So...

...

Third Trimester


So, painstakingly, I drew a background in Photoshop and managed to fail big time.  

And no matter what I did, it just didn't look as good as the simple version above.


Here is the best of my attempts, but really it detracts from rather than adds to the image.  


The reason being the background fails is that art needs a focal point, and here the background and figure compete for your attention.  


There are too many focal points!!  



Maybe given that knowledge, the shooting star and high saturated palette I chose weren't the wisest of ideas I've ever had.

Giving Birth

However, I soldiered on passed the ugly background phase and was able to give birth to a beautiful picture with a background message that I hope celebrates how wonderful mothers are the world over.  

I mean, not all mothers obviously.  Some mothers suck and should have had to been made to get baby-making licenses before having children.  

But a message that celebrates most mothers, like my mother, my sister, Anabel and all the other wonderful mothers out there and mothers to be, who deserve all the accolades in the world.  


They truly are the most wonderful people on Earth.

Plus having text behind the image seems to make the artwork really pop! :-P


On second thoughts, maybe the one without the background is better.  I don't know.

Yours in art, stories, fun and madness,


Daniel


Thursday, 3 April 2014

New Art: 'The Fire Shaman of London' by Daniel Grant Newton - DGN Productions

Hello friend.  Hope you are good.

Wanted to share with you a new sketch I created called 'The Fire Shaman of London'.  I think there is a collection of art forming here, check out this last sketch I posted.  It is sort of a mystical version of 'steam punk'.

'The Fire Shaman of London' - New Sketch by Daniel Grant Newton
Anyway, this sketch shows a shaman overlooking the 'Great London Fire'.

Talk soon.  Daniel

P.S. While I remember, I will be launching a new website soon for my art and stories soon, and I'd LOVE LOVE LOVE your support.  



Until then however, would be much appreciated if you could head over to my Facebook page and give it some love and press the 'like' button.




Thursday, 20 March 2014

The Warlock of London - New sketch by Daniel Grant Newton (DGN Productions)

'The Warlock of London' by Daniel Grant Newton















Hey you :-) Just thought I'd share another new sketch I have drawn.  This one is called "The Warlock of London".  

I actually really like the character so much I think he deserves a part in my story, so you never know, he may just end up in one of my books.  You heard it first here.  I guess I'll have to audition him first however :-P

Saturday, 1 March 2014

7 years old vs. 29 years old: Drawing the exact same pirate scene 22 years later...



I found a pirate picture I did at school when I was 7 years old in my draw, and thought it would be fun to sketch the same scene today.
Same drawing of pirates from when I was 7 vs. when I was 29.

Comparison of drawings as a 7 year old and as a 29 year old.

Monday, 19 August 2013

Warrior on a Bridge by Daniel Grant Newton

More warm up for my art piece a day challenge (which, it should be noted, will not take away from the usual programming).

This picture I feel should be from some future epic I write. It looks very ethereal and 'Jet Li your ass' at the same time.


Friday, 2 August 2013

Superman vs. Batman (Dark Knight)


Hi my favourite blog friend, 

Hope you have been well, or super duper fantastic.  As you will not know unless you are part of the CIA, for the last number of weeks I have been in Haiti, and while I have been working on some interesting ideas, I have not had the internet connection to share them with you.  

As a result, I have scoured the mountainous lands for an illusive internet point, and only now, after climbing to a summit and speaking with a wise blind goat herder, have been able to post (this is utterly completely true except for the part about the climbing the mountain to speak to a wise blind goat herder).  

Anyway, now here we are.  And...  Here is a picture I drew in my pad and taken with my phone.  I will share more when I get back to Canada.

Highest salute!

Daniel

Friday, 5 July 2013

Thinking Behind a Painting

Friends, Shambhalans, countrymen (and countrywomen), lend me your eyes...

Actually, not your eyes, but your _'s.  _ am m_ss_ng some, and could do with borrow_ng your _'s (sounds l_ke eyes but _s a letter).

Cool, I found them again!

Anyway, I thought I'd give you a little insight into how I create paintings.  I'd love to hear about your art or books by the way, and also how you go about your creativity.  You can email me at danielgrantnewton (AT) gmail (DOT) com

Step 1: I come up with a scene and rough it out (see below).  The scenes I choose usually come into my head from the Unicorn Keepers of Imagination, but they are more than just a picture.  They are part of a larger story that invite the viewer to co-create the story with me.  Kind of like what I was talking about last blog article in regards to books and comics.


It's on a train, with two commuters in the background, and two police/soldiers with flashlights checking passengers. One of them spots the man in the foreground with a flashlight. The context of what the men are looking for, and why the man in the foreground is going to get in trouble, and will he be caught or escape, and what happened up to this point and after this point, and where the train is heading, and who they all are, is for you, the viewer, to create.  He will be however holding a bible, which means he could be just worried and praying, or that he is being targeted for his religion, and the flashlight will have a double meaning as being touched by the Holy Ghost.

In this picture I planned to create a boy who perhaps lost his kite and found it by a group of mysterious Romani people camped out in a field, or was catching bugs that led him there.  Although the rest of the camp do not spot him, he and a young girl the same age catch each other's gaze, and destiny awaits them.  However, the adults are packing up camp so there is the question of whether this would be a fleeting moment, or whether one will approach the other and begin a relationship, or whether their destinies are intertwined in ways greater than a chance meeting.  As you will see, this idea was expanded on greater when the paint hit the canvas.
Step 2: Keep the basic composition, but ignore the details, and let my personal unicorn painter and I expand upon the seed of an idea.  See the results below.


As you can see here, the basic premise did not change much.  I added graphic elements, such as foreshortening, but the main story line has not changed.  That said, in my original conception I made the character more of an Indiana Jones type character, concealing a gun under his coat, whereas this man looks more 'ordinary', but with his mind visibly racing through different scenarios and reactions, and his jacket under his arm ready to run perhaps.
In this painting however, a lot has changed.  Most noticeably, the characters have grown up, the girl now has her eyes closed and has a tear sliding down her cheek as she looks back at the boy, and the characters around the camp seem ghostly (perhaps they are apparitions rather than alive people).  The expression of the girl implies that they were romantically involved, but she is leaving either against her will or because of what had happened between them (the wind dramatizes these feelings).  Also, the boy now appears to have ridden his bike to come see her go, rather than having just found her by chance.  And so as the characters in the scene have grown and become more colourful, so has the story and emotion.

Monday, 20 June 2011

Can too many book editors or artistic opinions spoil the creative brew?


The idea behind this blog article can be adapted to anything, whether you're writing a story, or creating art, or creating anything artistic - but since I've just finished my first novel and everybody wants to be my editor (which I'm thankful for), I'll use a book as an example.

Say you're writing a book (if you're confused because you are not writing a book, read the above paragraph again).

You've put a generous proportion of character development. Put a sprinkle of romance in it. A dash of action. Two cups of intrigue. You've mixed it around, and have let it sit. It is now ready for you to put it in the oven and have people look over your story.

We are still talking about writing a book right? Yes, and I'm glad you bared with me with my over-the-top extended metaphor. Are we talking about a cook book? No, forget the whole cooking thing. Then why did you start talking about cooking? (Excuse me, I'm just having one of my multiple personality moments.) I'm hungry.

Where were we? I have been sidetracked... a feature of this unedited blog apparently.

Now you've got people looking over your work, critiquing and giving advice. Question on your lips is, or sign-languaging hands for those who cannot speak... can you ask too many? Survey says... The plain and simple answer is yes but no but yes but no - to quote a few television shows in one mash-up sentence.

It's great to get different perspectives and ideas (and grammar checks) from willing participants, but the caveat on that is that they are the cooks, and you are the chef. The iron chef with the iron fist.

You use your cutting knife (probably iron too) adding some suggestions and cutting others. So although they are integral to the editing process, do not change your story if it doesn't feel right to you. Or change your artistic vision. Or your art piece. Or whatever.

It is ALWAYS your work, not theirs... however this leads me to...


Two words of warning.

Well, two points of warning. I couldn't summarise each point in one word.

One, don't take offence to what they say.

Everyone has different tastes and sometimes they'll have an opinion that you don't have. That's okay. Doesn't mean your books sucks, or that is must be changed to their liking. (They'd probably tell me enough of the cooking analogy Daniel. You should really have got this blog entry edited. In which I'd answer, "I'm hungry and I don't know why.")

And then there will be people who just never like your work, or the fact you are doing that work. There are many reasons people won't like what you do, and none of them are really ever about you or your work. For example, I find people often tell me I can't do things when they really fear that it will reflect badly on them and what they have achieved in their lives.

And, as I always say (to myself in the mirror with the door closed), if you want to be something different or more than those around you, you have to think and do differently than them. So thinking differently to those around you is the first step in moving forward.

Don't get me wrong, your editors will always (most likely... probably... maybe... perhaps) be well meaning. But subconsciously they won't want you to make them look bad. Success and being different scare most ordinary folk.


And that leads me to my second point...

Two, don't fight over what they say.

It's futile for one. They probably think what they're saying is correct no matter what you say, but more importantly, you should never have to justify your reasons. Does Lady Gaga defend her cigarette glasses, or Michael Jordan ever defend why he wears Nikes, or Charlie Chaplin ever defend why he never spoke? (I hope I'm making you laugh as much as I'm making myself laugh!)

Point being, because you're a genius, or a genius in the making, you don't explain - that's for critics to ponder. Just ask me why I can think that and watch me not justify it because I'm a mother flippin' genius - and so are you - yes, you.


Always thank them for their advice, but you don't have to ever say you'll take it all on baord!

Thank them, use what you want, don't use what you don't want. You may ask them for clarification, but don't go to war with them on why your artistic idea is right and their opinion is wrong. It's an easy equation.

Y x (A + T) x (G - R) = S

Y = Your Work
A = Ask
T = Thank
G = Good Advice
R = Rubbish Advice
S = Success, or sexiness personified

So don't go to war with your editors. Just thank them, and don't take it personally because your art is all about YOU.

(On a side note, if a young Hitler's art pieces had been more accepted we may not have had War World Two so... case in point. And who knows, Ghengis Khan was probably spanked when he did finger painting at pre-school.)

And take a look at it from your editor friend's side of the table. If they feel attacked for opening up with their opinion they'll never give you advice again (and I need people to check my spelling and grammar).

These two points are hard to follow, especially since you've put your soul into your story, but essential to a writer or artist.


Last Thoughts...

Never worry about whether people will like what you've done. I have always found that if you throw yourself completely into your artistic expression, are passionate about it and making it the best possible piece, and love it with all your heart, the world is a big enough place that there will be plenty of people who will support you.

On a side note, one month until my novel is out! :-) Just in case you are one of the people who are going to support ME and buy it!